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The first section of this book gives an insight into both the worldly and the supernatural. At an early stage, book establishes the relationship between beauty and art and says that Art and Beauty have a direct relationship, where there is art, there is beauty. With the realization of joy and expression of the soul what man creates is an art.
Whether Beauty is Subjective or Objective? The thing is so beautiful because it gives pleasure? Or It gives pleasure because it is beautiful? The answers to the most controversial questions like these are also discussed in this section.
The second section deals with aesthetics, especially from a musical perspective. At the beginning of this section there is an interesting analysis of the Beauty of Music in terms of ‘Physics’, then in terms of ‘Western Aesthetics’ and finally in terms of ‘Indian Aesthetics’.
“In the Indian classical music, there are so many traditional compositions in which so many words
which are seen in the regional languages like Braj , Bhojpuri, hindi , Urdu, Saraiki, or Multani etc.
These traditional compositions are taught to the disciples by gurus.
Meanwhile the desciples and music teachers have to face the difficulties to find the exact meanings
of each and every words of whole compositions in the states like Gujarat, Maharashtra and eastern
states of India . The changes has been occurred in Indian classical music field, found new raagas ,
made new different gharanas,but still first of all the traditional compositions are taught by gurus or
music teachers.”
“In the Indian classical music, there are so many traditional compositions in which so many words
which are seen in the regional languages like Braj , Bhojpuri, hindi , Urdu, Saraiki, or Multani etc.
These traditional compositions are taught to the disciples by gurus.
Meanwhile the desciples and music teachers have to face the difficulties to find the exact meanings
of each and every words of whole compositions in the states like Gujarat, Maharashtra and eastern
states of India . The changes has been occurred in Indian classical music field, found new raagas ,
made new different gharanas,but still first of all the traditional compositions are taught by gurus or
music teachers.”
